{"id":27,"date":"2022-10-04T14:04:25","date_gmt":"2022-10-04T12:04:25","guid":{"rendered":"https:\/\/tolgaanlarmallets.com\/?page_id=27"},"modified":"2026-06-12T00:48:12","modified_gmt":"2026-06-11T22:48:12","slug":"referenzen","status":"publish","type":"page","link":"https:\/\/tolgaanlarmallets.com\/en\/referenzen\/","title":{"rendered":"References"},"content":{"rendered":"<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:auto 40%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-1 wp-block-paragraph\">\u2022 Raimund Schmitz (<em><strong><a href=\"https:\/\/www.staatstheater-karlsruhe.de\/ensemble\/id\/1045\/\">Badische Staatskapelle<\/a><\/strong><\/em>)<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong style=\"font-style: italic;\">,,<\/strong><strong><em>Tolga\u2019s timpani mallets are crafted with great care, feel exceptionally comfortable to play, and have earned a permanent place in my collection. The versatility of the leather mallets (Model 31) is truly second to none. Whether in the Rider\u2019s March from Wagner\u2019s Lohengrin or in Beethoven\u2019s Eroica, I find myself reaching for this pair regularly and with great pleasure. \nI use the wooden mallets whenever Richard Strauss calls for them, but also whenever I want to achieve a larger, more powerful sound from smaller timpani. I am very grateful that there are people like Tolga, who pursue their craft with such dedication and such a remarkable range of expertise and creativity.\u201c<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8211;<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color has-small-font-size wp-elements-2 wp-block-paragraph\">\u2022 Simone Di Tullio (<a href=\"https:\/\/www.nuernbergersymphoniker.de\/\"><strong><em>N\u00fcrnberger Symphoniker<\/em><\/strong><\/a>)                                     <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><em>\u201cI am truly impressed by Tolga Anlar Mallets. They are well balanced, have a comfortable weight, and provide enough tonal presence to be clearly heard even in highly resonant concert halls such as the Meistersingerhalle in Nuremberg.\nModel 9 is an absolute essential in my setup. It is a genuine all-rounder\u2014equally suitable for rolls and for timpani solos that require greater projection and power, on both plastic and natural heads.\nThank you, Tolga, for developing these outstanding models! I am certain that more will be added to the range soon, and I can hardly wait to try them out.\u201c<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8211;<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-3 wp-block-paragraph\">\u2022<strong><em> <\/em><\/strong>Oliver Hudec<strong><em> (<a href=\"https:\/\/www.bergischesymphoniker.de\/wir\/test\/\">Bergische Symphoniker<\/a>)<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-4 wp-block-paragraph\">\u2022 Alexander Lenk <strong><em>(<a href=\"https:\/\/theater-trier.de\/menschen\/\"><mark style=\"color: #303030;background-color:rgba(0,0,0,0)\" class=\"has-inline-color has-foreground-color\">Philharmonisches Orchester der Stadt Trier<\/mark><\/a>)<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-5 wp-block-paragraph\">\u2022 Andre<mark style=\"background-color:rgba(0,0,0,0);color:#303030\" class=\"has-inline-color has-foreground-color\">a Toselli<\/mark><mark style=\"background-color:rgba(0,0,0,0);color:#CD2220\" class=\"has-inline-color has-primary-color\"> <\/mark><strong><em><mark style=\"background-color:rgba(0,0,0,0);color:#303030\" class=\"has-inline-color has-foreground-color\">(<\/mark><a href=\"https:\/\/www.theaterhagen.de\/ueber-uns\/menschen\/orchester.html\"><mark style=\"color: #303030;background-color:rgba(0,0,0,0)\" class=\"has-inline-color has-foreground-color\">Philharmonisches Orchester Hagen<\/mark><\/a>)<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-6 wp-block-paragraph\">&#8211;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u2022 Ahmet Sakkaf <strong><em>(Istanbul State Opera and Ballet) <\/em><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><em>\u201dI'm extremely satisfied with the mallets. Their tone has really opened up over time, and they feel incredibly comfortable to play with. The weight, balance, and sound are a perfect fit for my hands. I genuinely recommend them to everyone with full confidence. I\u2019d happily stand behind every positive word written about them. My personal favorite is No. 21, I absolutely love it and use it more than any other.\u201d<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">&#8211;<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-7 wp-block-paragraph\">\u2022 M\u00fc\u015ffik Galip Uzun <strong><em>(<span style=\"text-decoration:underline\"><mark style=\"color: #303030;background-color:rgba(0,0,0,0)\" class=\"has-inline-color has-foreground-color\"><a href=\"http:\/\/www.idso.gov.tr\/\">Istanbul State Symphony Orchestra<\/a>, <\/mark><a href=\"https:\/\/www.borusansanat.com\/en\/bipo_vQ49\/\"><mark style=\"background-color:rgba(0,0,0,0);color:#303030\" class=\"has-inline-color has-foreground-color\">Bor<\/mark><\/a><\/span><a href=\"https:\/\/www.borusansanat.com\/en\/bipo_vQ49\/\">usan Istanbul Philharmonic Orchestra<\/a>)<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8211;<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-small-font-size wp-elements-8 wp-block-paragraph\">\u2022 Hasan G\u00f6kalp Ulu\u011fbay<strong><em> (<a href=\"https:\/\/senfoni.eskisehir.bel.tr\/eng\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"color: #303030;background-color:rgba(0,0,0,0)\" class=\"has-inline-color has-foreground-color\">Eskisehir Metropolitan Municipality Symphony Orchestra<\/mark><\/a>) <\/em><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><em>''Tolga Anlar Mallets have a balanced structure. They sound full and clear as well.''<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/i0.wp.com\/tolgaanlarmallets.com\/wp-content\/uploads\/2024\/09\/20231030_1516261590447095350063027.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"611\" data-attachment-id=\"786\" data-permalink=\"https:\/\/tolgaanlarmallets.com\/en\/referenzen\/20231030_1516261590447095350063027\/\" data-orig-file=\"https:\/\/i0.wp.com\/tolgaanlarmallets.com\/wp-content\/uploads\/2024\/09\/20231030_1516261590447095350063027.jpg?fit=2000%2C1629&amp;ssl=1\" data-orig-size=\"2000,1629\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;camera&quot;:&quot;SM-A715F&quot;,&quot;created_timestamp&quot;:&quot;1698678986&quot;,&quot;focal_length&quot;:&quot;1.74&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"20231030_1516261590447095350063027\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/tolgaanlarmallets.com\/wp-content\/uploads\/2024\/09\/20231030_1516261590447095350063027.jpg?fit=750%2C611&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/tolgaanlarmallets.com\/wp-content\/uploads\/2024\/09\/20231030_1516261590447095350063027.jpg?resize=750%2C611&#038;ssl=1\" alt=\"\" class=\"wp-image-786 size-full\"\/><\/a><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>\u2022 Raimund Schmitz (Badische Staatskapelle) ,,Die Paukenschl\u00e4gel von Tolga sind sehr sorgf\u00e4ltig gearbeitet, spielen sich absolut angenehm und haben einen festen Platz in meinem Sortiment. Alleine die Vielseitigkeit der Lederschl\u00e4gel (Modell 31) sucht Ihresgleichen. Ob im Reitermarsch in Wagners Lohengrin oder in Beethovens Eroica, ich greife sehr gerne und regelm\u00e4\u00dfig auf dieses Paar zur\u00fcck. Die<a class=\"more-link\" href=\"https:\/\/tolgaanlarmallets.com\/en\/referenzen\/\">Continue reading <span class=\"screen-reader-text\">&#8222;Referenzen&#8220;<\/span><\/a><\/p>","protected":false},"author":215596544,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Referenzen - Tolga Anlar Mallets<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tolgaanlarmallets.com\/en\/referenzen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Referenzen - Tolga Anlar Mallets\" \/>\n<meta property=\"og:description\" content=\"\u2022 Raimund Schmitz (Badische Staatskapelle) ,,Die Paukenschl\u00e4gel von Tolga sind sehr sorgf\u00e4ltig gearbeitet, spielen sich absolut angenehm und haben einen festen Platz in meinem Sortiment. Alleine die Vielseitigkeit der Lederschl\u00e4gel (Modell 31) sucht Ihresgleichen. Ob im Reitermarsch in Wagners Lohengrin oder in Beethovens Eroica, ich greife sehr gerne und regelm\u00e4\u00dfig auf dieses Paar zur\u00fcck. 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